Title – Austin Na Mahan Mouna, Producer – AVV Productions, Direction – Vinay Kumar Vaidhyanathan, Music – Vishwi, Cinematography – Rajkanth SK and Srinivas, Cast – Vinay Kumar Vaidhyanathan, Prakriti K Prasad, Risha Gowda, Balarajwadi, Swathi, Raghu Ramanakoppa, Jagappa, Vinod Gobaragala, Varsha Balyanda, Prakash Shenoy, Bipin, Vivek Raj, Girijesh AK, Leela Girijesh, Preetham Girijesh, and others
This is a serene saga of life that takes a bewildering turn at the climax, also hinting at a sequel. Director Vinay Kumar Vaidhyanathan, with 13 years of experience in cinema, could have added more surprises in the first half to hold the audience’s attention. While he expends considerable time, money, and energy, the film redeems itself with an unexpected ending in Austin Na Mahan Mouna.
At the interval, the thought of honor killing comes to mind, but the introduction of the second heroine in the hospital changes the mood of the film. Except for a few, most characters speak very softly, which is pleasing to the ears. With a few minutes trimmed, the narration could have been tighter.
The love story of Austin and Jasmine is disrupted by Jasmine’s family. Bala Rajawadi, her father, becomes the chief obstacle, putting prestige above his daughter’s happiness. While Jasmine’s marriage proceeds according to his wishes, it turns out to be a sorrowful affair for her. She later returns to Austin, but once again family interference derails her plans.
After being beaten badly, Austin recovers in the hospital under the care of Dr. Lisha. Their growing bond marks a new chapter in his life. What happens next, with the silent troublemaker continuing to stir problems, is left for the sequel to reveal.
As a director, Vinay Kumar Vaidhyanathan gives fine touches to the screenplay and shows intelligence in leaving scope for further improvement in the sequel. He also delivers a sensible performance on screen. Risha Gowda as Jasmine is adequate, while Prakriti K Prasad as Lisha shows potential to improve.
Swathi, Raghu Ramanakoppa, and Jagappa offer solid support in their roles. Bala Rajawadi shines brilliantly as Jasmine’s father. One of the highlights of the film is Vishwi’s musical score. The three melodious numbers — E Baravase…, Honganasina…, and Hosa Badukina Munsuchane… — stand out with meaningful lyrics. Cinematographers Rajkanth SK and Srinivas contribute effectively with their technical support.
“A 55-year-old father’s prestige should not come at the cost of a 25-year-old daughter’s happiness” — this line sums up the entire film, crafted with commendable affection.
A film worth watching with the family.