Title: Radheya, Producer: Keerthi Chahna Cinema Karkhaane, Vedaguru Murthy, Director: Vedguru, Cinematography: Rammy, Music: Viyaan S A (Sandy Addanki), Cast: Ajai Rao, Sonal Monteiro, Dhanya Balakrishna, Girish Shivanna, Ashok, Balarajwadi and others.
With the title Radheya, director Vedguru brings a killing spree to the screen—but aimed entirely at the evils plaguing society, which becomes the film’s first redeeming aspect. In modern times, people increasingly believe that punishment for crime should be severe, yet such measures are often impossible within the democratic judicial system of our subcontinent.
Director Vedguru showcases the harsh realities of a common man’s life, presenting several unsettling moments that feel timely and essential. His central idea is clear: unless brutality is met with stringent punishment, crime continues without fear. The protagonist Radheya (Krishna Ajai Rao) is portrayed as both Devaru and Devva—a god and a demon. His hands are blood-soaked from childhood, and he carries the weight of 42 killings, earning the label of Rakshasa.
What pushes Radheya to the boiling point, compelling him to punish criminals? A crime journalist, Anupama (Dhanya Balakrishna), follows his trail and uncovers the gruesome moments that shaped him. Radheya’s childhood is pitiable, marked by traumatic events he witnesses alongside his young sister. After his stepmother meets her end at his hands, Radheya’s life spirals into a path of confronting and eliminating wrongdoers.
At one stage, while confessing his life story to Anupama, the narrative shockingly shifts to her own home. This twist deeply rattles her. When the director finally reveals the truth behind Anupama’s upbringing, an even bigger shock unfolds on screen. While Radheya justifies his killings, he also feels a sense of relief—and ultimately prepares to accept punishment.
Krishna Ajai Rao, known for soft lover-boy roles, shows grit and determination in Radheya. However, his gentle appearance sometimes works against the ruggedness expected of a man with 42 killings to his name. Sonal Monteiro looks cheerful but has limited scope, while Dhanya Balakrishna delivers well as a crime journalist with expressive acting. Girish Shivanna, usually known for comedy, is largely silent in this film. Ashok a talented actor gives a stubborn role.
“Bhale Bhale Yaarike…” is a pleasant song, and the cinematography supports the film’s 120-plus-minute runtime effectively.
Action lovers will find solid content to enjoy in Radheya.