Producers: Bourn Films, Savika Enterprises, BN Swamy, Direction: Raj Vijay, Cinematography: K Madhusudhan, Music: Sak Shakthi, Cast: Gopala Krishna Deshpande, Balaji Manohar, RK Vikki, Vishwanath Mandalika, Shiva Manju, Dimpy Padya, and others
Cinema has no boundaries when it comes to the choice of subjects. In the 21st century, filmmaking has evolved immensely — both in style and in the courage to explore complex human emotions and mental states. Green is one such Kannada film that dares to challenge the human mind and push the boundaries of conventional storytelling.
Directed by Raj Vijay, Green delves into the world of hallucination and inner psychological conflict, offering a cinematic experience that is as demanding as it is thought-provoking. The film has already received accolades at several international platforms, including being awarded Best Indian Film at the Remember the Future World Film Festival, Cannes 2024. Having been featured in over twenty global film festivals, Green has earned critical recognition for its experimental narrative and striking visual language.
Raj Vijay, known for his expertise in VFX and animation, has used his technical mastery to create visually immersive sequences that mirror the mental state of his characters. His filmmaking style stands apart — a blend of realism and surrealism that draws viewers deep into the psyche of his protagonist.
The story explores how childhood trauma can shape one’s perception of reality, leading to confusion, obsession, and the loss of a stable sense of self. The protagonist, surrounded by a few key characters, becomes a metaphor for humanity’s struggle between nature, sanity, and the monsters that lie within. The film’s central message — the true monster is not in the woods, but within our own minds — is hauntingly powerful.
Raj Vijay’s approach to depicting hallucination is both daring and disorienting. His intent to portray how the human mind blurs the line between reality and imagination demands patience and deep concentration from the audience. The narrative tests the viewer’s understanding of morality, perception, and truth.
The final twenty minutes of Green are particularly intense — a mind-bending sequence that dismantles all expectations and challenges the audience’s perception of what is real. It’s a psychological maze that leaves viewers both disturbed and fascinated, forcing them to question their own understanding of reality.
Performances by Balaji Manohar, Gopala Krishna Deshpande, RJ Vikki, and others add immense depth to the story. Their restrained yet emotionally charged portrayals complement the film’s abstract tone. Sak Shakthi’s background score and the rich visual effects stand out as the hallmark of the film, enhancing its mood and texture.
Ultimately, Green is not a film for casual viewing. It demands introspection, patience, and a willingness to be unsettled. It is a psychological thriller that redefines Kannada cinema, proving that the most terrifying journeys are not through dark forests — but through the human mind itself.